blackmagic design davinci resolve adobe premiere

The First Thing: As a long-time writer for the blog, I was exposed to Lewis McGregor’s many Resolve musings. Really, though, my choice came down to three things. How I was evolving beyond Premiere, growing as a colorist, and wanting to expand my horizons. I could wax poetic here about how and why my needs weren’t being met. Why Did I Make the Switch? The answer’s in the question. If so, then hopefully this look at my journey will give you a pretty good idea idea of what to expect should you ever decide to make an NLE change. I’m certain many of you relate to this self-assessment. But, either way, I treat every day as a chance to get a little better. Some days I feel a bit above average, some days a bit below. In fact, what I am is a perfectly average video editor. Ultimately, as an experience, it’s been both thrilling and humbling.īefore we go any deeper, though, hear me out-I was never really a Premiere Pro Expert™ to begin with, nor am I currently an expert at DaVinci Resolve. At the same time, there is much I miss about Premiere. As you’ll see, there are things about Resolve that I can’t believe I once lived without. It’s been about a year since I made the leap from Adobe Premiere Pro to DaVinci Resolve, and now I’m ready to share some hot, steamy takes. Here’s everything I’ve learned about switching to a new NLE-the good, the bad, the unexpected, and the humbling.

Blackmagic design davinci resolve adobe premiere